The Pinner Association
The Voice of our Community
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With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
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1 event,
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With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
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0 events,
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0 events,
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0 events,
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
|
0 events,
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0 events,
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0 events,
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
|
0 events,
|
0 events,
|
0 events,
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
|
1 event,
-
With the start of the Second World War in 1914 Heath Robinson observed that “There was now no demand for purely artistic productions, for new editions of Shakespeare or other classics”. He was then dependent on humorous work for his income. However, from about 1925 respite from the constant need to be funny came from…
£6
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0 events,
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0 events,
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0 events,
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0 events,
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0 events,
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1 event,
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The Heath Robinson Museum is proud to present Michael Rosen: The Illustrators, a new exhibition exploring Michael Rosen’s books and the many talented artists who have illustrated them throughout his 50 year career. From grizzly bears to grumpy teachers, meet a whacky cast of characters and enter the wonderful world of Michael Rosen’s imagination. Featuring…
£6
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